INFINITY IN BOTH DIRECTIONS

An avant-garde short film accompanied by a “radio edit” of PRPL PPL’s free jazz album “Facial Recognition.” The album served as the soundtrack for a gallery installation of the same name inspired by David Lynch’s “Six Figures Getting Sick,” and featured 35mm footage by Beck Simon. This short was produced at the David Lynch Graduate School of Cinematic Arts, and is dedicated to the memory its late namesake.